Virginia Macali
 

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   Virginia Macali
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MONTHLY PRACTICE

A practice is an activity that you do again and again with standards in mind and correcting to those standards. The purpose of a practice is to improve a skill or quality. (James Flaherty in Coaching: Evoking Excellence in Others) A practice can help you learn something about yourself, your actions, and your effectiveness.

For example, as I prepare for ski season, I practice getting my body in the proper alignment for skiing. I practice by standing on a hill with the awareness of knowing more about what I am doing---how my hips are positioned, where my shoulders point, where my weight is on my feet. I do this repeatedly to learn more about how my body is aligned. What is it like when I feel more aligned? Less aligned? The practice helps me make any adjustments and fine-tune how I can align my body even better for smoother, efficient, balanced skiing.

Practices can be used in any area of life, from sports to conversations to relationships to personal and professional development. Each month we’ll feature a new practice. I invite you to experiment with a practice and see what difference it can make in your life. If you would like to share a practice that works for you or your response to this practice, please contact Virginia (click here).

I am pleased and honored to begin this series of features by introducing you to my friend and coaching colleague, Ken Murphy. I am so deeply grateful for his enthusiastic participation, brilliant thinking, keen insights and generous spirit.

The Practice of Suspension

An interview with Ken Murphy by Virginia Macali

Ken Murphy is an Executive Coach who is associated with Demeter-Matrix and MetaLens, both of which specialize in coaching and dialogue. Until 1991 he was an officer of Pacific Bell and has a long history of coaching experience. He has published several articles and has written a chapter on Generative Coaching in the best-selling book, Learning Organizations. He can be reached at metalens@speakeasy.org.

VM What is The Practice of Suspension?

KM There are two meanings of suspension:
1. temporarily letting go of attachment to your own ideas and
2. holding your idea, along with the
assumptions behind it, out in front of others with the intention of being open to influence.

VM How did you come to begin The Practice of Suspension?

KM I was interested in the process of dialog that came as a result of the early work of Peter Senge. This work was later spelled out in his book, The Fifth Discipline. My experience in the corporate world from a first line manager to an officer showed me there had to be a better way of leading people. Business schools were teaching techniques, not leadership. Senge’s work on dialog got my attention as one of the more effective ways to think about leadership and communicating with people.

VM Who were your other major influences on dialog and working with people?

KM David Bohm, the renowned quantum physicist, David Isaacs of Dialogos, James Flaherty of New Ventures West, and my wife, Sarita Chawla, author of Learning Organizations.

VM Could you give me an example of how you use The Practice of Suspension?

KM Yes. This year I studied the propositions which were to appear on the ballot in California. I came to my own tentative decision on each one. I sent the decisions to a circle of friends and colleagues, saying, "Here’s what I think. Some of my opinions are strong, some I am really confused about. I invite your comments. I could be wrong." The important part is that I was willing to be influenced---even on things I feel strongly about."

VM Can you say more about suspension?

KM One way to think of it is listening without resistance. Instead of holding a belief and arguing, suspension is offering for examination and challenge the belief, the rationale and the assumptions underneath---not simply justifying your position. While doing this, one temporarily holds the beliefs of others at an equal value to one’s own, at least while both are being examined.

At it’s best, it is inviting people to comment to help you see it more clearly. Most people are afraid to listen without resistance because they see it as a sign of weakness. Or they are holding strongly and don’t want their mind to be changed. You can listen without resistance and at the end of a day, you still get to decide, so being open to influence is not a threat.

VM What results do you see when you practice suspension?

KM First, I find my own position often shifts, either a little or a lot, because I see something I hadn’t considered before.

Second, one interesting side effect is that people notice they are being listened to in a new way. They feel heard and satisfied. On a large scale, I think this type of listening could end war in our world.

VM Where can I read more about The Practice of Suspension?

KM The Fifth Discipline: The Art and Practice of The Learning Organization by Peter M. Senge (1990). Suspension is covered under The Discipline of Team Learning—Dialog and Discussion. The Fifth Discipline Fieldbook: Strategies and Tools for Building a Learning Organization by Peter M. Senge (1994).

VM How would you design a Practice for Suspension?

Ken’s Suspension Practice

  1. Noticing
  2. This can range from noticing an internal pressure to speak to a feeling of strong emotion, such as anger or fear. The key skill here is programming one’s mind to just notice when any of these occurs.

  3. Hit the pause button
  4. This is simply a conscious step to pause before speaking and to self-observe one’s mental state. Most people, when spoken to and especially when being persuaded by an other person, respond automatically with old programming that they learned (mostly learned to protect their ego). They are on automatic. They are thoughting, not thinking. There is therefore no room for anything new to come into their minds. The purpose here is to simply introduce a space between stimulus and response so that something new has space to enter.

  5. Listen with a willingness to be influenced
  6. This is temporarily suspending one’s attachment to something, either for or against, while listening. It involves letting go of one’s attachments to something, either for or against. This leaves room to be influenced but does not require one to actually change unless it makes sense to them. At the end of the day, they have the ability to make up their own minds, so there is no threat to doing this.

  7. Dialog
  8. This is listening and speaking in ways that put one’s own assumptions on the table for examination and exploring others’ ideas, holding them (at least temporarily) on an equal footing with one’s own. It implies a lack of separation between oneself and others. This leads to a joint seeking of something new, something of value. It treats the other as an "I" of equal value as oneself. At its best, it examines (suspends for public view) not only one’s positions but engages in an act of discovery and examination of the assumptions underlying those positions while staying open to change. It is holding a mood of mutual respect.

  9. Reflection or soaking
  10. This is about letting things sit in one’s mind long enough to be given a chance to soak in. It is also about reflecting on what comes up, noticing both the outcomes of that soaking as well as how the process in working in one’s being.

  11. Change or reframing, if appropriate

    This final step is about changing one’s position, if appropriate given the effects of steps 1-5 above. It may also result in reframing the issue one started with. (For example, it may result in seeing the whole issue in a very different way from the way it was seen at the beginning - seeing it through a different lens.)

 

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